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Drawing and Painting People: A Fresh Approach, by Emily Ball
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Written by a practicing artist and tutor, this guide to creating confident, defiant art contains inspiring examples, thought-provoking insights, and practical advice about how to become more expressive and adventurous with your work. This book is for people who are serious about painting and want to develop work that is personal and exceptional in quality.
- Sales Rank: #112842 in Books
- Brand: Books
- Published on: 2009-07-01
- Original language: English
- Number of items: 1
- Dimensions: 11.00" h x .30" w x 8.50" l, 1.20 pounds
- Binding: Paperback
- 144 pages
About the Author
Emily Ball is an artist who runs highly successful courses in contemporary painting and drawing.
Most helpful customer reviews
15 of 15 people found the following review helpful.
I love it!
By Dianne Erickson
Personally, another boring book on how to draw a photographic likeness is not what I was looking for... and this book is exactly what I wanted. I've been painting for many years so I know how to paint a likeness, but I want more. Willem de Kooning used to draw with his left hand, and with his eyes closed to shake himself out of the boring, and find some surprise in his work. I want to shake my hand out of the usual route so well known. This book will do it. The exercises are not all new, but some I hadn't used before and they do work. Books are like art, I guess... it's a personal thing. I am really glad I found this book!!! Many color photos, exercises that are easy to do and don't take a lot of materials, so if you're open to trying something new, buy this book!
9 of 9 people found the following review helpful.
Exciting book for the serious artist
By Gemma
I received my copy in the mail today and am very impressed. This is a rare thing: an art instruction book for the serious artist who is more interested in expressiveness than in creating a painting that "looks like something". In fact, the image on the book cover is the most "pretty" and "recognizable" of all the illustrations in the book (with the exception of the writer's final self-portrait at the end of the book). In a way, the cover image is misleading precisely because it is "prettier" than most of the images in the book. So if you find the cover image not to your taste you definitely will not like the other images in this book.
Where this book excels is in helping you become looser and more expressive in your art. The chapter on what to do when your become stuck or discouraged in your art work was particularly good, and timely for me. The author also writes about colleagues and teachers who have been instrumental in her development, and what she has learned from them. All in all, the book reminded me of college-level art classes that I have taken, where the emphasis is on experimentation, personal expression and avoiding cliched conventions.
This is not a book that will show you how to draw or paint a recognizable portrait. There are exercises, but not of the "how to" or "step by step" variety. One drawback of the book is that the exercises are not always illustrated (i.e. it tells you try this, then try that, but it doesn't always show you examples of what each step in the process might look like).
There is a lot more writing in this book than in the typical art instruction book. The author discusses the technique, process and content of all the illustrations in much the same way that you might in a class critique. Some of the work illustrated is challenging to appreciate (another reviewer called it "rubbish", and although I don't share her opinion, I do understand her point).
I noticed a few typos that the proofreader missed. One funny one was when she wrote that the artist might be "drawing and panting". At least I think it was a typo!
Because this book is written by a UK author, there is some terminology that will be unfamiliar to North American readers. I had to Google "what size is A1 paper" (answer: 23 x 33 inches, roughly the size of a sheet of watercolour paper), although I could figure out that a "rubber" is an eraser.
I ordered my copy from The Book Depository because even with shipping charges it was considerably cheaper than ordering directly through Amazon. The book came very quickly and in perfect shape.
2 of 2 people found the following review helpful.
Extension Teacher
By CT
I bought this book to liven up my lessons in Figure Drawing and Life Painting. It has many new approaches that I look forward to using next Fall Quarter.
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