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Stone Mattress: Nine Tales, by Margaret Atwood

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A collection of highly imaginative short pieces that speak to our times with deadly accuracy. Vintage Atwood creativity, intelligence, and humor: think Alias Grace.
Margaret Atwood turns to short fiction for the first time since her 2006 collection, Moral Disorder, with nine tales of acute psychological insight and turbulent relationships bringing to mind her award-winning 1996 novel, Alias Grace. A recently widowed fantasy writer is guided through a stormy winter evening by the voice of her late husband in "Alphinland," the first of three loosely linked stories about the romantic geometries of a group of writers and artists. In "The Freeze-Dried Bridegroom," a man who bids on an auctioned storage space has a surprise. In "Lusus Naturae," a woman born with a genetic abnormality is mistaken for a vampire. In "Torching the Dusties," an elderly lady with Charles Bonnet syndrome comes to terms with the little people she keeps seeing, while a newly formed populist group gathers to burn down her retirement residence. And in "Stone Mattress," a long-ago crime is avenged in the Arctic via a 1.9 billion-year-old stromatolite. In these nine tales, Margaret Atwood is at the top of her darkly humorous and seriously playful game.
- Sales Rank: #136177 in Books
- Published on: 2014-09-16
- Released on: 2014-09-16
- Format: Deckle Edge
- Original language: English
- Number of items: 1
- Dimensions: 8.54" h x 1.11" w x 6.01" l, 1.00 pounds
- Binding: Hardcover
- 288 pages
Amazon.com Review
An Amazon Best Book of the Month, September 2014: “Stop trying to pimp me out to all these groupies,” a famous author and infamous cad utters in “Revenant,” one of three cleverly interconnected tales that begin Margaret Atwood’s superbly sardonic Stone Mattress. He is referring to an impending visit from an infatuated graduate student who is supposedly writing a thesis about his sonnets…which aren’t really sonnets (long story). Naveena—her name, he derisively but accurately points out, “sounds like cheese food slices. Or better—like a hair-removal cream”—is insufferable enough to be sure. The depiction makes yours truly nervous to be writing this review, but it’s all part of the fun, and these tales are fun, which is odd considering the sinister current that runs through many of them. But it’s as if the reader is privy to some sort of inside joke. This is especially evident in “The Dead Hand Loves You,” when Atwood playfully skewers the horror genre then gleefully indulges in it, and the ominously tongue-in-cheek “Torching the Dusties.” Fans of Margaret Atwood will certainly delight in this collection. But beware, the Stone Mattress will make groupies of old and new readers alike. –Erin Kodicek
Review
"Witty and frequently biting ... this book’s stories offer characters a chance to put their own understandings of gallantry, courage and revenge to the test, in ways both mundane and extraordinary."
—The New York Times Book Review
"In Stone Mattress [Atwood is] having a high old time dancing over the dark swamps of Horror on the wings of satirical wit ... Look at these tales as eight icily refreshing arsenic Popsicles followed by a baked Alaska laced with anthrax, all served with impeccable style and aplomb. Enjoy!"
—Ursula K Le Guin, Financial Times
"These exuberantly told tales are a tour de force of wit, style, and discernment."
—O Magazine
"Eclectic, funny, vibrant, terrifying, beautiful, and utterly delightful."
—Boston Globe
"[These] stories have the caustic wit and giddy deviance ... along with the probing interiority and flinty insights of Atwood’s novels."
—Minneapolis Star Tribune
"Stylish, acerbic and wickedly funny ... With wit, sympathy and precision, Atwood draws readers into a reflective frame of mind."
—Miami Herald
"[This] collection is surprisingly unsettling, gripping and at once laugh-out-loud hilarious. It attains its laudable goal: Myths last over time, and the stories in this book have that very quality. They are timeless, memorable and quite simply fun."
—Chicago Tribune
"Stunning ... Atwood brings her biting wit to bear on the battle of the sexes."
—Publishers Weekly, starred review
"Shrewdly brilliant, gleefully mischievous, and acerbically hilarious ... Atwood has the raptor's penetrating gaze, speed, and agility and never misses her mark."
—Booklist, starred review
"Clever tales about writers and lovers ... Atwood is a playful, sharp-edged, and politically alert author."
—Kirkus Reviews
About the Author
MARGARET ATWOOD, whose work has been published in thirty-five countries, is the author of more than forty books of fiction, poetry, and critical essays. In addition to The Handmaid's Tale, her novels include Cat's Eye, short-listed for the Booker Prize; Alias Grace, which won the Giller Prize in Canada and the Premio Mondello in Italy; The Blind Assassin, winner of the 2000 Booker Prize; Oryx and Crake, short-listed for the 2003 Man Booker Prize; The Year of the Flood; and her most recent, MaddAddam. She is the recipient of the Los Angeles Times Innovator's Award, and lives in Toronto with the writer Graeme Gibson.
Most helpful customer reviews
54 of 58 people found the following review helpful.
A bit bumpy but Atwood is mostly in very fine form here
By Kcorn
If the rating system allowed, I'd give this one slightly more than 4 and 1/2 stars so I rounded up to 5 stars. I was drawn into most of these tales and I think this work is actually a fine introduction to Atwood's writing, her finely crafted sentences, and often otherworldly (or at least in between reality and surrealism) themes. She is also excellent when, at her best, she creates detailed portraits of individuals. They aren't always ones I'd like to know but are fascinating on the page.
I've had an ambivalent feeling about a fair number of Atwood's books. Some I've liked a great deal. Others left me cold. But I can absolutely recommend "Stone Mattress." It is one I'd be happy to reread.
While I liked - often loved- some of the tales in this book, there were a couple which weren't nearly as compelling as the rest. "Stone Mattress", the centerpiece of the book, focused on a woman bent on revenge and murder for a terrible injustice done her many years ago. Does she succeed? I won't disclose that, won't spoil it for potential readers. But I can say that I never thought I'd feel drawn to a possible murderess and feel compassion and understanding for her intense anger. I do want to add that some of the details in "Stone Mattress" are gruesome - so be aware of that.
If I tried to describe every one of the works here, this review would be overly long so I'll simply mention one other which resonated with me, "Torching the Dusties". It portrays a timely issue, the resentment felt by some younger adults towards the older generation who - in their opinion - "messed it up" for the next generation, killing the planet with greed and blindness to their impact on the environment. The younger adults feel cheated and are outraged, determined to do something about it. Again, I won't reveal more details about what happens next. I hate reviews with spoilers.
I hope this review perks your interest and if you've never been a fan of Atwood that you consider revisiting her writing by reading "Stone Mattress." I'd be interested in other readers" take on it. I received a free copy of this for review but was a bit reluctant to dive into an Atwood book. I'm glad I dove into this one.
0 of 0 people found the following review helpful.
Margaret Atwood writes exposition brilliantly. Unfortunately
By Amazon Customer
Margaret Atwood writes exposition brilliantly. Unfortunately, that's all this book is - endless exposition. There are 9 short stories in which almost nothing happens. The only one I enjoyed was The Dead Hand Loves You, but I almost didn't make it that far. This would be a great assigned book for a writing class, but in terms of enjoyment, I rate it low.
0 of 0 people found the following review helpful.
that doesn't mean that she is always fun to read
By BSteeve
Atwood writes with a message and she makes her point, that doesn't mean that she is always fun to read.
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